TROUBLE IN PARADISE

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Hawaii Five-0 is renewed for an eighth season but it does so without Chin Ho and Kono.

I have been a viewer of the rebooted Hawaii Five-0 ever since it returned to the airwaves/  I love the way it mixes some of the culture with drama and some humor.  The bromance of McGarrett and Dano, the shots of Waikiki Beach with plenty of locals and tourists alike, the cast that we were introduced to and were able to flesh out their characters (still remember Kono clocking a surfer that made her nearly fall off her board).  And every time they show the skyline, I would spot the former Maile Sky Court.

Now, as it enters its’ eighth season, Daniel Dae Kim Chin Ho) and Grace Park (Kono) have parted ways with the series over a contract dispute.  Kim and Park wanted a 15% increase to match Alex O’Laughlin and Scott Caan’s contracts.  CBS Productions said no, so they walked.  I don’t think it is fair that Kim and Grace had to walk.

Over the past seven seasons, their stories were more of a driving force behind the series. From Chin Ho being accused of being on the take to Kono falling in love and marrying an ex-Yakuza. From Chin-Ho getting rid of a bad guy and adopting his daughter to Kono becoming a role model for Grace/  Through it all, their stories have been the strongest.

But now that they are exiting, maybe CBS is trying to make that magic happen like NBC’s Law and Order: Special Victims Unit.  There Christopher Meloni left as Elliot so, in real life, he can pursue other interests.  So, two new characters were introduced to One Police Plaza, but four had left, yet the nucleus of the cast still remains.  But the changes are buoyed with better writing and good performances when everyone thought the show couldn’t survive without Elliot.  And it’s been thriving.

But in this case it’s not the same. Like Elliot, Chin Ho and Kono were introduced and we’ve grown to love them.  Unlkie Elliot’s departure, it could spell the end of the series. Ratings have been slipping and it is going to take more than McGarrett and Dano to keep it alive.

NO MORE F*CKS LEFT TO GIVE

Too late for buyer’s remorse.  You voted for him?  Own it!

It’s amazing how some people never seem to do research.  

In the last election cycle, we were saturated with how the Democrats were in favor of terrorism against Muslims not looking out for each other that those election ads never mentioned white terrorists.  And then people went and voted for Drumpf saying that he would protect us, that he would “make America great again”.  And in a ridiculous show of how dumbed down this country had really become, THIS COUNTRY NOMINATED HIM ANYWAY.

And he targeted the Affordable Care Act…which those who thought he was killing Obamacare.  Not so, since Republicans never once called it by the Affordable Care Act.

Until he got in.

He decided he wanted to build a wall on the border with Mexico and have Mexico pay for it.  Turns out we, the taxpayers, are going to pay for it.  He handpicked imbiciles and dolts to head government agencies.  He cut out or scaled down budgets to agencies that are there to keep things in check.  

And now, we are flooded with stories from people who supported Drumpf that believed what he was going to do to “the illegal immigrant”.   The brown people, the Muslims, the LGBTQ community.  What he was going to do to them won’t affect me, you thought.  How wrong you were.

He started after those who were undocumented that had built up the communities where they lived and took them away.  And never mind if you were born here.  He crows like a rooster when a Muslim exremist attacks European targets, but is very silent when mosques and gurdwara (Sikh temples) are shot up, because the Sikhs look like Muslims.

And now he went after the programs some of you Drumpf supporters use that the government pays for.  He cut out a lot of programs designed to help everyone to pay for that wall.  And he scaled back internet privacy and put women’s rights to where if they’re submissive, barefoot and pregnant, that is acceptable.

You were warned about what would happen if he got in.  You cheered when people at his rallies attacked protesters and he cheered them on.  You said Hillary was untrustworthy because she was in the pocket of Big Banks.  You cheered when WikiLeaks went after her emails, but turn a blind eye and deaf ear when it came to his failed business ventures which taxpayers still have to pay for.  And some of you dismissed him talking about grabbing women by their genetalia as “locker room talk.”  

But you bought it all.

I’m a very compassionate person.  I am caring enough to try to help my fellow human being when I can. 

But you squandered whatever compassion I had towards you.  You voted on racism, sexism and xenophobia without once using your head about the consequences that will happen if you don’t think.

Therefore, I hate to say this, but I have no f*cks to give you.

ART OF THE DESIGN: B&B’S TBT

B&B title card 30

Viewers and fans of “The Bold and the Beautiful” got an unusual treat last week as the show celebrated its’ 30th Anniversary.

The show paid tribute to the title design from when it began.

B&B’s original main title was designed by Wayne Fitzgerald. Fitzgerald’s run in daytime title designs began with “One Life To Live” three years prior. What happened in the original one was you would see a camera with the unseen photographer taking pictures of models amid quick cuts of palm trees, clothing material and cast members with the title appearing three different times before going to the beauty shot when the title separates itself as a roll of clothing material rolls and stops on the screen. It slowly became the running joke among B&B fans for the fact that the Forrester clan’s pictures (Ronn Moss, ex-Ridge; John McCook, Eric; Susan Flannery ex-Stephanie) were bookended and not updated when these characters changed their looks over the years.

This time around, B&B revisited this opening with the current cast members and they threw in a shot of the original Sally Spectra (the late Darlene Conley) in. When the title spread apart like in the original, the number 30 flashed in utilizing the word “Bold”. It was a great nod to the series.

SIDEBAR: B&B FUN FACTS:

  • When B&B debuted, it had replaced “Capitol”, a political-themed soap, which replaced “Search for Tomorrow”.
  • It became the only American soap to do SAP for the Spanish-speaking audience, calling it “Belleza Y Poder”. Eventually, the actors and actresses speaking the Spanish would be credited.
  • All over the world, it is shown as is with language translations in various countries it airs. However, in the Canadian province of Quèbec, it is dubbed in French and called “Top Modeles” and in Germany it’s called “Reich & Schön”, even had matching title designs like the American version. The German version ended in December. All across Europe, the show was renamed “Caroline” (after the character that was portrayed by Joanna Johnson); when Caroline was killed off, the show was renamed “Beautiful”.
  • It was the second soap to add closed-captioning for the deaf and hard-of- hearing, but first to do it on a regular basis. “Search for Tomorrow” did it before.
  • Its show creator, the late William J. Bell wrote for it and “The Young and the Restless” (the other soap he created).
  • Dionne Warwick appeared on the show singing “High Upon This Love” which incorporated the B&B theme composed by Jack Allocco and David Kurtz. It was used as an end theme for a brief time in 1998.

ART OF THE DESIGN: THE Y&R LOGO

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When “The Young and the Restless” made its’ debut on CBS back in 1973, the title design was something that had not been done on daytime before. Using the song “Cotton’s Dream” from the movie “Bless The Beasts and the Children”, the title designer Sandy Dvore gave Y&R its’ signature look of drawings of cast members of the show.

But in 1984, the title designer made the iconic painted Y&R logo. And it has not changed at all to something different.

When it debuted, the logo painted itself on-screen. To accomplish this, the logo had to be set apart in four different parts as using a switcher, each part painted on then faded to red with the title of the show over it. The drawings at the end over closing credits gave way to this logo (the only exception was during the era when Susan Banks and Harry Hall made the cast as paintings that came to life-however the logo was everywhere else).

The logo itself was presented in different ways. In 1999, the cast was shown against a red velvet background, the logo was clear acrylic over the background with a jazzy version of the theme and cast names were added when CBS and other countries did away with the show’s closing credits; in 2004, the show went back to the 1998 theme and the logo double-painted itself in an extreme close-up focusing on the right side of the logo.

In 2017, the logo and title flash. on the screen when paint strokes are ethereal with the cast in the painting. And the lady that walked towards you in the black lingerie from the previous opening is barely there disappearing in a segue of flashes before the logo is revealed towards the end.

When “The Young and the Restless” made its’ debut on CBS back in 1973, the title design was something that had not been done on daytime before. Using the song “Cotton’s Dream” from the movie “Bless The Beasts and the Children”, the title designer Sandy Dvore gave Y&R its’ signature look of drawings of cast members of the show.

But in 1984, the title designer made the iconic painted Y&R logo. And it has not changed at all to something different.

When it debuted, the logo painted itself on-screen. To accomplish this, the logo had to be set apart in four different parts as using a switcher, each part painted on then faded to red with the title of the show over it. The drawings at the end over closing credits gave way to this logo (the only exception was during the era when Susan Banks and Harry Hall made the cast as paintings that came to life-however the logo was everywhere else).

The logo itself was presented in different ways. In 1999, the cast was shown against a red velvet background, the logo was clear acrylic over the background with a jazzy version of the theme and cast names were added when CBS and other countries did away with the show’s closing credits; in 2004, the show went back to the 1998 theme and the logo double-painted itself in an extreme close-up focusing on the right side of the logo.

In 2017, the logo and title flashes on the screen when paint strokes are ethereal with the cast in the painting. And the lady that walked towards you in the black lingerie from the previous opening is barely there disappearing in a segue of flashes before the logo is revealed towards the end.

This logo may have been presented in different ways but the concept remains the same. And after 33 years of it, it has held up well. It has proven to be very versatile everytime with each title design change.

This logo may have been presented in different ways but the concept remains the same. And after 33 years of it, it has held up well. It has proven to be very versatile everytime with each title design change.  And a hats off to Sandy Dvore, who created this logo.

MOST INTERSTING MUSIC SLOGANS

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“Just off the coast of PolyGram” – Island: shortly before Polygram became Universal, Island managed to get this on a few releases.  It indicated that it was part of the mainland (PolyGram).

“Blue Note hits a new note” – Blue Note: when Liberty (yeah, it existed) merged United Artists with Blue Note in the early 70s, it had expanded on more contemporary and fusion jazz and they changed the logo from the more familiar eighth-note logo to a small eighth note encased in a thick lower case ‘b’-which pissed off label co-founder Albert Lion to no end.  After EMI bought out United Artists Group, the label was shuttered until 1985 when Bruce Lundvall revived the label and brought back the note.

Trifecta – Motown: When Motown has separate labels, the three main ones had individual slogans with logos to match.  Motown’s overall slogan “The Sound of Young America” encompassed everything coming from Motown; however, Tamla’s slogan was “The Music Heard Around The World” and Gordy’s was “It’s What’s in the Grooves That Count”.

“Individuals for and by individuals” – CBS Records: jazz was a big thing in the 70s and most labels tried their best.to make various versions of jazz were represented.  CBS did an insert in 1979 that was called “Individuals For And By Individuals”.  The insert was included in many jazz releases by various jazz artists like Wilbert Longmire, Lips, Stanley Clarke, George Duke, The Heath Bros., et al.

“There’s a message in the music” – Philadelphia International: During its’ heyday in the70s, Philadelphia International co-founder Kenneth Gamble did something no other label had done: put little essays on their covers on their albums with subjects that were dealing with social injustice, inequality and life in general; each one ended with the tagline “There’s a message in the Music.” Also on the 45 labels included the phrase  “The Sound of Philadelphia” and “You’ll Never Forget Our Tunes” for their publishing company.

“The earth has music for those who listen” – Tabu: Founder Clarence Avant adopted this saying by philosopher George Santayana.

“The most beautiful sound next to silence” – ECM: Granted the label, founded by Manfred Eicher, in 1969 is a well-known jazz label, their artists refuse to be held down by boundaries in their music.

“A Company Run in the Spirit of The Three Stooges” – Hollywood:  When the label was originally founded by Disney and distributed by Elektra, these guys sent a press release and  it contained this line trying to compete with Giant (which was kicking butt at the time).  Eventually, it was scrapped.

 

UNIVISION’S TELEMUNDO PROBLEM

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Right off the bat, I love serialized storytelling.  It got ingrained with comic books, American soap operas, and music that tells a tale.  It proves that the way everyone hangs onto shows like “Game of Thrones”, “Mad Men”, et al., I’m not alone in this.

When I took a Spanish class in 1981, I immediately got hooked on another style of serialized storytelling: the telenovela.

Telenovelas are soap operas from Latin America that are told in story arcs -a beginning, a middle and an end- and runs for weeks at a time.  Back in 1981, there was only Spanish International Network (SIN), now Univision.   They dominated Spanish-language television for a long time.  The first telenovela I got addicted to was “Tal Como Somos”, because it was a crime drama that had the feel of my other favorite one “The Edge of Night”.  They even spray-painted a few of the titles on walls like graffiti.

But something was looming that threatened Univision’s dominance.  A small station in Puerto Rico that would soon become its’ biggest rival.

WKAQ-TV started out small and then gained ground to become Telemundo.   And over time, it started making inroads to the Spanish-speaking market.

First, they began airing programming that targeted the Hispanic/Latino markets here.  Then they had their own studios which original programming would be created and aired.  Then NBC bought them out and they launched another network called mun2, gearing toward the younger demographic.  With the Comcast buyout of NBC, they started gaining ground and it continues.  Don Francisco, who helmed “Sabado Gigante” for a whopping 53 years returned to television (and Telemundo) with a new show “Don Francisco Te Invita”.

But the lifeblood of both networks are its telenovelas.  And the diffrences are striking.

The last time I got into a telenovela on Univision was “Fuego en el Sangre” (“Fire in the Blood”).  Before that it was “Dos Mujeres Un Camino” (“Two Women, One Road”).  The former was twisted and crazy to watch thanks to the representation of a man in black dressed in a serape carrying a scythe that walked into scenes just before certain characters were about to meet certain doom-and it was great to watch some of the special effects and see if they can be done in After Effects.  The latter had Erik Estrada that was good in its scope but his appearances were limited and it featured the members of the band Bronco in parts of the show.  The misfire happened during the show’s run, they swapped themes twice-the intro was the campy and set the tone of the series, while the outro was a ballad by Bronco. 

Then my friend introduced me to “La Reina Del Sur” (“Queen of the South”) with Kate Del Castillo.  The story moved fast and rarely hit slow spots.  The story of a female drug lord was wilder and exciting.   So shortly afterwards, Telemundo introduced “El Señor De Los Cielos” (“The Lord of the Skies”) and the supernatural “En Otra Piel” (“In Another Skin” -though the closed captions say “Part of Me”).  

Telemundo showed a different side of the telenovela coin: not everything is based around a female trying to overcome adversity who lives out in the country or comes in from the country to the city.  Granted, the stories range from criminal activity to simple complicated love stories, but the key difference is ownership and less importing.

Telemundo is owned by Comcast under NBC Universal Telemundo Enterprises.  Even before the Comcast buyout of NBC, the network has been doing its’ own novelas via complete ownership or joint efforts. Univision has been importing from Latin America and the only one that they did was different was “Amas De Casa Desespradas” by Disney-ABC who sold the format of “Desperate Housewives” internationally.  They didn’t own it. Also it gave Telemundo another network to show the Olympics.  On the date of Super Bowl 50, mun2 became NBC Universo, gearing more towards Latinos in the States.

I think another factor is Univision doesn’t believe in “temporadas” (seasons) on some of their high rated serials and not order more.  Granted, they did it with the kid-oriented “Carusel (Carousel)” and “Salud, Dinero Y Amor (Health, Money and Love”), but they only had two seasons apiece.  They haven’t done it on any other serials.

Telemundo, on the other hand, is already barreling into an eighth season of “El Señor” and possibly adding a fourth one for “Señora Acero” and they continue to evolve.

Some complaints about the acting pool being so limited on the ‘novelas that many employ the same actors and actresses once one ends.   Granted the American counterparts practice the same thing, but at one time there were as many as 20 soaps spread out between two coasts and they ran from a matter of months to years at a time.  These days with only four soaps on the air, they had to adapt to the way cast members can jump from soap to soap.  I also add to this the soap opera “Port Charles” which did escape the cancellation ax once.  In order to save the show, it had to adopt a telenovela format.  Production was shifted to some weeks on and some weeks off; the soap would still be called “Port Charles”, but each book had a name e.g. “Naked Eyes”, “Torn”, “The Gift”, etc.

Most recently, both Telemundo and Univision went head-to-head with novelas based around two late Latino performers and, for the first time, I had a hard time deciding which one to watch.  On Univision, it was one about Juan Gabriel; on Telemundo it was one about Celia Cruz.  And I have said before, it was a long time trying to watch one or the other.  Both were well-acted and covered their subject matters well. 

But if Univision want to keep and expand their audience, they need a better way to present their logo for one which is serving them well.  Their 4-color and the shows they present and making it 3-D is a great start and for me will take time to get used to.  Telemundo made their current logo interactive and has two fonts families to complement it. Plus they don’t keep it their regular red color; it changes with whatever show they promote and lets out sparks, paint, water, fire, etc. when it comes to the beauty shot.

Second, they need a good gimmick for their new novelas before they premiere and can be run throughout the season of the show.  They are playing catch up with Telemundo in making “mini-movie” promotions and they are great, but Telemundo made Tuesdays the night to debut new novelas, and made a promo when they are three (MarTres, a play on the Spanish word for “Tuedsay” and the number 3, indicates three new novelas are debuting).

Finally, if they want to get more of the English-speaking audience, they should close caption in English as well as Spanish.  After watching “En Orta Piel” looking at the captions in English, I started understanding Spanish a little bit more.  I’m a person who needs to see it and hear it before I get it.  I figured it out when, as a kid, I was interested in the spinning earth on “As The World Turns”…drove my stepdad crazy until one day, he went back to his place and brought a world almanac and made the watching just the globe fun and interactive.  Having the novelas closed-captioned in English is a good idea that should be kept.

I will never get tired of the novelas, because, like their American counterparts, they are so fun to watch.

A FEW WORDS FROM ME…

One of my all-time favorite rock songs is “Get The Funk Out” by Extreme because, lyrically, it spells out if you don’t like what you see, leave.  So it’s time to knock some sense into some knuckleheads about my Facebook wall.

For starters, my wall is my wall.  My profile pic is my profile pic.  Whatever picture I choose to use goes into said profile.  Some idiots have asked me to post a “real” pic. Some have issues about what gets posted to my wall.  Hell, like they follow me anyway.  To those I calmly say, “Kiss off.”

You see, if I am commenting on a topic and I am trying to engage in conversation, the LEAST of your worries should be if my profile is real.  If someone is using my pic for their profile, you don’t have me.  You got someone whose trying to say they’re me and ask you to “friend” me.  Some of my friends don’t have a profile pic at all but they still talk or say hi-a few I know personally that don’t show a profile pic, but we keep in contact a lot.  Usually, I let shit like that go and get back to my center, but not today.

Now as for my profile pic, it’s rare that I don’t use my own pic.  Sometimes I would create something or I will share a logo (like the painted “Another World” logo) that I like as a profile pic.  You’re not into soap operas (serialized storytelling) but you wait for the next season of “Game of Thrones”.  That’s fine.  People tried to give me hell when one of my pics was adorned with “I Am Orlando” on it while at the same time, I shared a Fusion post debunking what news media called “the worst mass shooting in American history”.  Oh, that shot in my cover – that it actually me in a sea green lavalava on the beach at Maui Seaside at the break of dawn back in 2010.  The flash went off before I got into position…good thing-it almost got washed out to sea.  If you’re not one of my Facebook friends, the profile pic is all you get.

If I am commenting on something shared on a friend’s post and you respond to my comment by saying, “Get a real profile pic,” the profile pic I am using at the time is not there for your pleasure-if it didn’t matter when I responded to stuff why should it matter now?  It’s you who’s insecure not me.

The pic I got there now is a matter of protest.  I refuse to call Drumpf my president.  And after all the years that we made progress, we’re sent backwards.  But everyone posts a different profile picture.  If you don’t like my profile picture, or stuff on my wall, either unfollow me or unfriend me.